Australian designer Christopher Esber has long been celebrated for his ability to balance structure and sensuality through garments defined by refined tailoring, architectural lines, and quietly subversive details. Ahead of the launch of his exclusive eyewear collaboration with Specsavers, we spoke with Esber about his career journey.
In conversation with Christopher Esber
What is your earliest memory of fashion?
From a young age, I was fascinated with watching runway shows on FashionTV, sketching and cutting up vintage clothes to make something new. I was always curious about how garments were made and how they could transform. There was never really any hesitation about what I’d do. I just knew I had to create what I couldn’t find elsewhere.
Your brand is known for its luxe fabrications and architectural design. What drew you to this aesthetic?
I’ve always been very tactile and hands-on. I love working directly with materials. With ready-to-wear, I’m always curious about sourcing fabrics that feel unexpected, like upholsteries or textures not usually used in fashion. That curiosity really drives each collection. Then it’s about pulling things back — refining and purifying the ideas until they feel functional and resolved.
What key moments or decisions have most influenced the direction of your career?
There have been so many people along the way — mentors, friends — who’ve shaped my perspective and approach. Dressing Zendaya was another pivotal moment that really elevated the brand. Then there are events like the Mytheresa dinner we hosted in Paris last season — those moments not only build the brand but help define its positioning on a global scale.
In 2024, you became the first Australian designer to win the ANDAM Grand Prize. How did it feel to receive such a prestigious honour and to now show at Paris Fashion Week?
I don’t think it really sank in until some time after. I feel incredibly honoured to be recognised on such a global level. The award has so much heritage, and to be listed alongside the brands and designers who’ve received it before is humbling. Showing in Paris is honestly a dream come true. We’re now working on our fourth show, which feels surreal. It’s a space to push new ideas and be thought-provoking in how you present them. For me, it’s also a creative outlet — a place where there are no rules.
How would you define success?
Being able to build a business around something I love — and seeing customers actually live in and love the pieces. When someone wears something to death, that’s the greatest compliment. To create a brand and vision that resonates and stands confidently on an international stage — that’s a bonus.
What advice would you give to aspiring designers?
Have your own point of view…Finding mentors or people you can ask questions and seek advice from is invaluable. Most importantly, don’t listen to every opinion you’re given. Challenge what you’re told, trust your instincts.
This article originally appeared in Fashion Quarterly’s Summer 2026 issue.
Runway imagery: Launchmetrics/Spotlight.
As told to: Natalia Didovich
